{"id":13627,"date":"2016-03-01T09:34:42","date_gmt":"2016-03-01T08:34:42","guid":{"rendered":"https:\/\/www.aparences.net\/actualites\/expositions\/carlo-portelli\/"},"modified":"2024-09-02T10:11:48","modified_gmt":"2024-09-02T08:11:48","slug":"carlo-portelli","status":"publish","type":"post","link":"https:\/\/www.aparences.net\/es\/actualidad\/carlo-portelli\/","title":{"rendered":"Carlo Portelli"},"content":{"rendered":"\n<p>Con la muestra <em>Carlo Portelli, pintor exc\u00e9ntrico entre Rosso Fiorentino y Vasari<\/em>, la <a href=\"https:\/\/www.uffizi.firenze.it\/it\/mostre\/mostra.php?t=5677ef192964459c18000037\" target=\"_blank\" rel=\"noopener noreferrer\">Galer\u00eda de la Academia de Florencia<\/a> recupera la figura de este pintor visionario y original del Cinquecento italiano. La Academia posee, entre la amplia muestra de pintura florentina de <a href=\"https:\/\/www.aparences.net\/es\/periodos\/el-manierismo\/\">\u00e9poca manierista<\/a> que se exhibe de forma permanente en la Tribuna del David de <a href=\"https:\/\/www.aparences.net\/es\/arte-y-mecenazgo\/los-fresquistas-florentinos\/miguel-angel-frescos-de-la-sixtina\/\">Miguel Angel<\/a>, un retablo monumental con la <em>Inmaculada Concepcion<\/em> de Carlo Portelli. Realizado en 1566 para la iglesia de Ognissanti, puede considerarse como la obra maestra de este pintor, quien a pesar de haber formado parte del prestigioso grupo de artistas que trabajaban para <a href=\"https:\/\/www.aparences.net\/es\/arte-y-mecenazgo\/florencia-y-los-medicis\/\">los M\u00e9dicis<\/a>, no hab\u00eda gozado hasta ahora de una gran fortuna cr\u00edtica. Alrededor de esta tabla visionaria y con evidente influencia de <a href=\"https:\/\/www.aparences.net\/es\/periodos\/el-manierismo\/rosso-fiorentino\/\">Rosso Fiorentino<\/a> que escandaliz\u00f3 al historiador Raffaello Borghini (1584) por la exhibici\u00f3n desenfadada e irreverente de Eva en el primer plano, se han reunido todas las obras atribuidas a Portelli. Gracias a nuevos estudios e investigaciones llevadas a cabo para esta ocasi\u00f3n, ha sido posible definir el papel de este artista en el panorama de la pintura florentina de la <a href=\"https:\/\/www.aparences.net\/es\/periodos\/el-manierismo\/florencia-y-la-academia-de-dibujo\/#las-\">\u00e9poca de Vasari<\/a>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"324\" height=\"430\" src=\"https:\/\/www.aparences.net\/wp-content\/uploads\/2016\/02\/carlo-portelli-la-charite.jpg\" alt=\"La Caridad, 1550-1560, Carlo Portelli\" class=\"wp-image-17239\" title=\"La Caridad, 1550-1560, Carlo Portelli\" srcset=\"https:\/\/www.aparences.net\/wp-content\/uploads\/2016\/02\/carlo-portelli-la-charite.jpg 324w, https:\/\/www.aparences.net\/wp-content\/uploads\/2016\/02\/carlo-portelli-la-charite-226x300.jpg 226w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><figcaption class=\"wp-element-caption\"><em><strong>La Caridad<\/strong>, 1550-1560, <strong>Carlo Portelli<\/strong><\/em><br><em> (Madrid, Museo del Prado)<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\"><em>&nbsp;<\/em><\/p>\n\n\n\n<p>Nacido en Loro Ciuffenna en la regi\u00f3n de la Toscana y en fecha desconocida, Portelli se form\u00f3 en Florencia, en el taller de Ridolfo Ghirlandaio hijo de <a href=\"https:\/\/www.aparences.net\/es\/arte-y-mecenazgo\/los-fresquistas-florentinos\/frescos-de-domenico-ghirlandaio\/\">Domenico Ghirlandaio<\/a>, pintor destacado del <a href=\"https:\/\/www.aparences.net\/es\/periodos\/el-quattrocento\/\">Quattrocento<\/a>, en 1538 ya pertenec\u00eda al gremio de pintores de la Compa\u00f1\u00eda de San Lucas y un a\u00f1o despu\u00e9s, colaboraba con <a href=\"https:\/\/www.aparences.net\/es\/periodos\/el-manierismo\/el-manierismo-en-florencia\/#francesco-salviati\">Francesco Salviati<\/a> en los decorados ef\u00edmeros para la boda de <a href=\"https:\/\/www.aparences.net\/es\/arte-y-mecenazgo\/florencia-y-los-medicis\/el-reinado-de-cosme-i\/\">Cosme I<\/a> y Leonor de Toledo. La muestra re\u00fane medio centenar de obras de este pintor, cuyo cat\u00e1logo, editado para la ocasi\u00f3n, es la primera monograf\u00eda rigurosa sobre su figura.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Con la muestra Carlo Portelli, pintor exc\u00e9ntrico entre Rosso Fiorentino y Vasari, la Galer\u00eda de la Academia de Florencia recupera la figura de este pintor [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":17240,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2368,2605],"tags":[3187],"class_list":["post-13627","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-exposiciones","tag-featured-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Carlo Portelli<\/title>\n<meta name=\"description\" content=\"Con 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