{"id":13827,"date":"2019-01-04T09:35:26","date_gmt":"2019-01-04T08:35:26","guid":{"rendered":"https:\/\/www.aparences.net\/actualites\/expositions\/oskar-kokoschka\/"},"modified":"2024-09-04T09:11:59","modified_gmt":"2024-09-04T07:11:59","slug":"oskar-kokoschka","status":"publish","type":"post","link":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/","title":{"rendered":"Oskar Kokoschka"},"content":{"rendered":"\n

El Kunsthaus Z\u00fcrich<\/a> presenta la exposici\u00f3n Oskar Kokoschka<\/em>, expresionista, migrante y ciudadano del mundo, con la primera gran retrospectiva de su obra en 30 a\u00f1os en Suiza. Entre las 200 obras presentadas, destacamos especialmente el tr\u00edptico monumental titulado La saga de Prometeo<\/em> y el Fresco para Alma Mahler<\/em>, que se exhiben por primera vez en Suiza. Al igual que Francis Picabia y Pablo Picasso, Oskar Kokoschka (1886-1980) fue parte de esta generaci\u00f3n de pintores que se mantuvo fiel a la pintura figurativa, mientras que la abstracci\u00f3n<\/a> reforzaba su predominio despu\u00e9s de la Segunda Guerra Mundial. Si hoy en d\u00eda se puede practicar la figuraci\u00f3n y el arte abstracto sin guerras de trincheras ideol\u00f3gicas, tambi\u00e9n es gracias a ellos. Los artistas contempor\u00e1neos se identifican particularmente a Kokoschka. De manera expl\u00edcita o impl\u00edcita, pintores como Nancy Spero, Georg Baselitz, Herbert Brandl y Denis Savary se inspiran en su estilo expresionista<\/a>. Admiran el gesto expresivo de su pincelada, saludan su apertura al mundo o comparten la actitud pacifista que impregna el trabajo, la vida y el legado del maestro vien\u00e9s. Mucho despu\u00e9s de su \u00faltima gran presentaci\u00f3n individual, en 1986, Kunsthaus propone dar a conocer a las nuevas generaciones de visitantes esta obra cuyo autor muri\u00f3 en 1980 a orillas del lago Leman y una parte importante de la sucesi\u00f3n que se encuentra en Vevey y Zurich.<\/p>\n\n\n

\n
\"Tr\u00edptico
Tr\u00edptico La saga de Prometeo<\/strong> – Apocalipsis, 1950, Oskar Kokoschka<\/strong> (Londres, Courtauld Gallery)<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

Exiliado, Kokoschka se convirti\u00f3 en un ardiente defensor de la libertad, la democracia y los derechos humanos; un humanista cuyo obra deja espacio a los paisajes y a los ni\u00f1os, pero tambi\u00e9n a las met\u00e1foras y a las figuras mitol\u00f3gicas que recuerdan el horror de las dos guerras mundiales, sin olvidar el poder del amor y la belleza de la naturaleza. Es este lenguaje art\u00edstico de protesta pol\u00edtica lo que hace que la singularidad de Kokoschka sea \u00fanica e inconfundible.<\/p>\n\n\n

\n
\"Marianne
Marianne – Maquis<\/strong>, 1942, Oskar Kokoschka<\/strong> (Londres, Tate Modern)<\/em><\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Es el lenguaje art\u00edstico de protesta pol\u00edtica lo que hace que la singularidad de Kokoschka sea \u00fanica e inconfundible.<\/p>\n","protected":false},"author":2,"featured_media":18588,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2368,2605],"tags":[3187],"class_list":["post-13827","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-exposiciones","tag-featured-es"],"yoast_head":"\nOskar Kokoschka<\/title>\n<meta name=\"description\" content=\"Es el lenguaje art\u00edstico de protesta pol\u00edtica lo que hace que la singularidad de Kokoschka sea \u00fanica e inconfundible.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oskar Kokoschka\" \/>\n<meta property=\"og:description\" content=\"Es el lenguaje art\u00edstico de protesta pol\u00edtica lo que hace que la singularidad de Kokoschka sea \u00fanica e inconfundible.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/\" \/>\n<meta property=\"og:site_name\" content=\"Aparences\" \/>\n<meta property=\"article:published_time\" content=\"2019-01-04T08:35:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-04T07:11:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"880\" \/>\n\t<meta property=\"og:image:height\" content=\"290\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/www.aparences.net\/es\/#\/schema\/person\/af349f6ffc31b16c68963e61268afca5\"},\"headline\":\"Oskar Kokoschka\",\"datePublished\":\"2019-01-04T08:35:26+00:00\",\"dateModified\":\"2024-09-04T07:11:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/\"},\"wordCount\":347,\"publisher\":{\"@id\":\"https:\/\/www.aparences.net\/es\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg\",\"keywords\":[\"Featured\"],\"articleSection\":[\"Actualidad\",\"Exposiciones\"],\"inLanguage\":\"es\"},{\"@type\":[\"WebPage\",\"ItemPage\"],\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/\",\"url\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/\",\"name\":\"Oskar Kokoschka\",\"isPartOf\":{\"@id\":\"https:\/\/www.aparences.net\/es\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg\",\"datePublished\":\"2019-01-04T08:35:26+00:00\",\"dateModified\":\"2024-09-04T07:11:59+00:00\",\"description\":\"Es el lenguaje art\u00edstico de protesta pol\u00edtica lo que hace que la singularidad de Kokoschka sea \u00fanica e inconfundible.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#primaryimage\",\"url\":\"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg\",\"contentUrl\":\"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg\",\"width\":880,\"height\":290,\"caption\":\"Kokoschka, Oskar; Apocalypse; The Courtauld Gallery; http:\/\/www.artuk.org\/artworks\/apocalypse-207258\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/www.aparences.net\/es\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Oskar Kokoschka\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.aparences.net\/es\/#website\",\"url\":\"https:\/\/www.aparences.net\/es\/\",\"name\":\"Aparences: Historia del Arte y Actualidad Cultural\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.aparences.net\/es\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.aparences.net\/es\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.aparences.net\/es\/#organization\",\"name\":\"Aparences: Historia del Arte y Actualidad Cultural\",\"url\":\"https:\/\/www.aparences.net\/es\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/www.aparences.net\/es\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.aparences.net\/wp-content\/uploads\/2023\/09\/logo-quadrat-color-e1695915315229.png\",\"contentUrl\":\"https:\/\/www.aparences.net\/wp-content\/uploads\/2023\/09\/logo-quadrat-color-e1695915315229.png\",\"width\":120,\"height\":120,\"caption\":\"Aparences: Historia del Arte y Actualidad Cultural\"},\"image\":{\"@id\":\"https:\/\/www.aparences.net\/es\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.aparences.net\/es\/#\/schema\/person\/af349f6ffc31b16c68963e61268afca5\",\"name\":\"admin\",\"url\":\"https:\/\/www.aparences.net\/es\/author\/admin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Oskar Kokoschka","description":"Es el lenguaje art\u00edstico de protesta pol\u00edtica lo que hace que la singularidad de Kokoschka sea \u00fanica e inconfundible.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/","og_locale":"es_ES","og_type":"article","og_title":"Oskar Kokoschka","og_description":"Es el lenguaje art\u00edstico de protesta pol\u00edtica lo que hace que la singularidad de Kokoschka sea \u00fanica e inconfundible.","og_url":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/","og_site_name":"Aparences","article_published_time":"2019-01-04T08:35:26+00:00","article_modified_time":"2024-09-04T07:11:59+00:00","og_image":[{"width":880,"height":290,"url":"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg","type":"image\/jpeg"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"admin","Tiempo de lectura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#article","isPartOf":{"@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/"},"author":{"name":"admin","@id":"https:\/\/www.aparences.net\/es\/#\/schema\/person\/af349f6ffc31b16c68963e61268afca5"},"headline":"Oskar Kokoschka","datePublished":"2019-01-04T08:35:26+00:00","dateModified":"2024-09-04T07:11:59+00:00","mainEntityOfPage":{"@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/"},"wordCount":347,"publisher":{"@id":"https:\/\/www.aparences.net\/es\/#organization"},"image":{"@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#primaryimage"},"thumbnailUrl":"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg","keywords":["Featured"],"articleSection":["Actualidad","Exposiciones"],"inLanguage":"es"},{"@type":["WebPage","ItemPage"],"@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/","url":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/","name":"Oskar Kokoschka","isPartOf":{"@id":"https:\/\/www.aparences.net\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#primaryimage"},"image":{"@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#primaryimage"},"thumbnailUrl":"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg","datePublished":"2019-01-04T08:35:26+00:00","dateModified":"2024-09-04T07:11:59+00:00","description":"Es el lenguaje art\u00edstico de protesta pol\u00edtica lo que hace que la singularidad de Kokoschka sea \u00fanica e inconfundible.","breadcrumb":{"@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#primaryimage","url":"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg","contentUrl":"https:\/\/www.aparences.net\/wp-content\/uploads\/2019\/01\/oskar-kokoschka-zurich.jpg","width":880,"height":290,"caption":"Kokoschka, Oskar; Apocalypse; The Courtauld Gallery; http:\/\/www.artuk.org\/artworks\/apocalypse-207258"},{"@type":"BreadcrumbList","@id":"https:\/\/www.aparences.net\/es\/actualidad\/oskar-kokoschka\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/www.aparences.net\/es\/"},{"@type":"ListItem","position":2,"name":"Oskar Kokoschka"}]},{"@type":"WebSite","@id":"https:\/\/www.aparences.net\/es\/#website","url":"https:\/\/www.aparences.net\/es\/","name":"Aparences: Historia del Arte y Actualidad Cultural","description":"","publisher":{"@id":"https:\/\/www.aparences.net\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.aparences.net\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/www.aparences.net\/es\/#organization","name":"Aparences: Historia del Arte y Actualidad Cultural","url":"https:\/\/www.aparences.net\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.aparences.net\/es\/#\/schema\/logo\/image\/","url":"https:\/\/www.aparences.net\/wp-content\/uploads\/2023\/09\/logo-quadrat-color-e1695915315229.png","contentUrl":"https:\/\/www.aparences.net\/wp-content\/uploads\/2023\/09\/logo-quadrat-color-e1695915315229.png","width":120,"height":120,"caption":"Aparences: Historia del Arte y Actualidad Cultural"},"image":{"@id":"https:\/\/www.aparences.net\/es\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.aparences.net\/es\/#\/schema\/person\/af349f6ffc31b16c68963e61268afca5","name":"admin","url":"https:\/\/www.aparences.net\/es\/author\/admin\/"}]}},"_links":{"self":[{"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/posts\/13827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/comments?post=13827"}],"version-history":[{"count":0,"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/posts\/13827\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/media\/18588"}],"wp:attachment":[{"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/media?parent=13827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/categories?post=13827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aparences.net\/es\/wp-json\/wp\/v2\/tags?post=13827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}