{"id":21342,"date":"2020-09-29T08:55:44","date_gmt":"2020-09-29T06:55:44","guid":{"rendered":"https:\/\/www.aparences.net\/?p=21342"},"modified":"2020-09-29T08:55:45","modified_gmt":"2020-09-29T06:55:45","slug":"leon-spilliaert-luz-y-soledad","status":"publish","type":"post","link":"https:\/\/www.aparences.net\/es\/actualidad\/leon-spilliaert-luz-y-soledad\/","title":{"rendered":"L\u00e9on Spilliaert, luz y soledad"},"content":{"rendered":"\n

El inclasificable y misterioso pintor L\u00e9on Spilliaert es el hombre de las soledades inquietantes y las perspectivas infinitas. Entre las cuestiones metaf\u00edsicas y la cultura flamenca, este artista sorprende y confunde con sus obras indefinibles, inventando un simbolismo de la noche que marcar\u00e1 el arte belga. Se inspira en las obras pict\u00f3ricas de Odilon Redon o James Ensor, pero tambi\u00e9n en los escritos de Emile Verhaeren y Maurice Maeterlinck. Sin embargo, aunque fue influenciado por el simbolismo<\/a> de finales de siglo, su obra lo trasciende. La exposici\u00f3n del Museo de Orsay<\/a>, la primera en Francia en casi 40 a\u00f1os, se centrar\u00e1 en los a\u00f1os 1900 a 1919, los m\u00e1s intensos de Spilliaert, y presentar\u00e1 sus obras m\u00e1s radicales. No se trata de una retrospectiva monogr\u00e1fica que pretenda abarcar todos los aspectos de su obra, sino de una exposici\u00f3n que pone de relieve la intensa y especial atm\u00f3sfera de su trabajo. Pr\u00e1cticamente autodidacta, el artista se inspir\u00f3 en la literatura de sus contempor\u00e1neos y amigos (Emile Verhaeren, Maurice Maeterlinck). Dibujaba y pintaba con tinta figuras fantasmales y rostros enmascarados que a veces evocan el universo de Munch<\/a>.<\/p>\n\n\n\n

\"Faune
Faune au clair de lune<\/strong>, 1900, L\u00e9on Spilliaert<\/strong>, Colecci\u00f3n privada.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n

Los rostros alucinados de Spilliaert evocan el expresionismo<\/a>; sus refinados paisajes parecen anunciar el minimalismo<\/a>. En 1907, cuando ten\u00eda veinte a\u00f1os y viv\u00eda y trabajaba en casa de sus padres en la costa belga, pod\u00eda tener a su alcance los temas de sus obras: la playa, el mar y \u00e9l mismo, representado en autorretratos dram\u00e1ticamente iluminados como el Autorretrato<\/em> del Metropolitan Museum, donde figura sentado en una silla delante de su tablero de dibujo. Aunque est\u00e1 rodeado de objetos cotidianos – un perchero, un paraguas y una l\u00e1mpara de gas – el doble reflejo de los espejos del fondo a\u00f1ade una nota inquietante a la escena.<\/p>\n\n\n\n

\"Autorretrato,
Autorretrato<\/strong>, 1907, L\u00e9on Spilliaert<\/strong>, Nueva York, Metropolitan Museum.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n
\"La
La Buveuse d’Absinthe<\/strong>, L\u00e9on Spilliaert, Colecci\u00f3n Privada.<\/em><\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"

El inclasificable y misterioso pintor L\u00e9on Spilliaert es el hombre de las soledades inquietantes y las perspectivas infinitas. Entre las cuestiones metaf\u00edsicas y la cultura […]<\/p>\n","protected":false},"author":2,"featured_media":21339,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2368,2605],"tags":[],"class_list":["post-21342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-exposiciones"],"yoast_head":"\nL\u00e9on Spilliaert, luz y soledad<\/title>\n<meta name=\"description\" content=\"El inclasificable y misterioso pintor L\u00e9on Spilliaert es el hombre de las soledades inquietantes y las perspectivas infinitas. 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