{"id":23852,"date":"2021-09-06T17:29:15","date_gmt":"2021-09-06T15:29:15","guid":{"rendered":"https:\/\/www.aparences.net\/?p=23852"},"modified":"2021-09-06T17:29:16","modified_gmt":"2021-09-06T15:29:16","slug":"sandro-botticelli-2","status":"publish","type":"post","link":"https:\/\/www.aparences.net\/es\/actualidad\/sandro-botticelli-2\/","title":{"rendered":"Sandro Botticelli"},"content":{"rendered":"\n<p>El Museo Jacquemart-Andr\u00e9 celebra el genio creativo de Sandro Botticelli (1445 &#8211; 1510) y la actividad de su taller, exponiendo unas cuarenta obras de este refinado pintor, acompa\u00f1adas de varios cuadros de sus contempor\u00e1neos florentinos en los que Botticelli ejerci\u00f3 una especial influencia. La carrera de Botticelli, que se convirti\u00f3 en uno de los m\u00e1s grandes artistas de Florencia, es testigo de la influencia y los profundos cambios que transformaron <a href=\"https:\/\/www.aparences.net\/es\/arte-y-mecenazgo\/florencia-y-los-medicis\/\">la ciudad bajo los M\u00e9dicis<\/a>.&nbsp;Botticelli es sin duda uno de los pintores m\u00e1s conocidos del Renacimiento italiano, a pesar del misterio que a\u00fan rodea su vida y la actividad de su taller. Alternaba incansablemente entre las creaciones \u00fanicas y las obras en serie realizadas por sus numerosos ayudantes. La exposici\u00f3n mostrar\u00e1 la importancia de esta pr\u00e1ctica de taller, un laboratorio repleto de ideas y de formaci\u00f3n, t\u00edpico del Renacimiento italiano.&nbsp;Presentar\u00e1 a Botticelli en su papel de creador, pero tambi\u00e9n de empresario y formador.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"305\" height=\"460\" src=\"https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/sandro-botticelli-portrait-de-femme-1445.jpg\" alt=\"Retrato de mujer, llamado La Bella Simonetta, c. 1485, Alessandro Filipepi, llamado Botticelli, Frankfurt, St\u00e4del Museum\" class=\"wp-image-23847\" title=\"Retrato de mujer, llamado La Bella Simonetta, c. 1485, Alessandro Filipepi, llamado Botticelli\" srcset=\"https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/sandro-botticelli-portrait-de-femme-1445.jpg 305w, https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/sandro-botticelli-portrait-de-femme-1445-160x241.jpg 160w, https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/sandro-botticelli-portrait-de-femme-1445-68x102.jpg 68w, https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/sandro-botticelli-portrait-de-femme-1445-146x220.jpg 146w\" sizes=\"auto, (max-width: 305px) 100vw, 305px\" \/><figcaption><em><strong>Retrato de mujer<\/strong>, llamado La Bella Simonetta, c. 1485, Alessandro Filipepi, llamado <strong>Botticelli<\/strong>, Frankfurt, St\u00e4del Museum<\/em>.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"471\" height=\"460\" src=\"https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/vierge-del-magnificat-d-apres-botticelli.jpg\" alt=\"La Virgen del Magnificat, a\u00f1os 1490, (Jacopo Foschi ?, activo en Florencia hacia 1485 - 1520) seg\u00fan Botticelli, Montpellier, Mus\u00e9e Fabre.\" class=\"wp-image-23849\" title=\"La Virgen del Magnificat, a\u00f1os 1490, (Jacopo Foschi ?, activo en Florencia hacia 1485 - 1520)\" srcset=\"https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/vierge-del-magnificat-d-apres-botticelli.jpg 471w, https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/vierge-del-magnificat-d-apres-botticelli-160x156.jpg 160w, https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/vierge-del-magnificat-d-apres-botticelli-104x102.jpg 104w, https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/vierge-del-magnificat-d-apres-botticelli-225x220.jpg 225w\" sizes=\"auto, (max-width: 471px) 100vw, 471px\" \/><figcaption><em><strong>La Virgen del Magnificat<\/strong>, a\u00f1os 1490, (Jacopo Foschi ?, activo en Florencia hacia 1485 &#8211; 1520) seg\u00fan Botticelli, Montpellier, Mus\u00e9e Fabre.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"335\" height=\"460\" src=\"https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/botticelli-et-filippino-lippi-retour-de-judith-a-bethulie-1469-70.jpg\" alt=\"El retorno de Judith a Betulia, 1469-1470, Sandro Botticelli y Filippino Lippi, Cincinnati Art Museum.\" class=\"wp-image-23851\" title=\"El retorno de Judith a Betulia, 1469-1470, Sandro Botticelli y Filippino Lippi,\" srcset=\"https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/botticelli-et-filippino-lippi-retour-de-judith-a-bethulie-1469-70.jpg 335w, https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/botticelli-et-filippino-lippi-retour-de-judith-a-bethulie-1469-70-160x220.jpg 160w, https:\/\/www.aparences.net\/wp-content\/uploads\/2021\/09\/botticelli-et-filippino-lippi-retour-de-judith-a-bethulie-1469-70-74x102.jpg 74w\" sizes=\"auto, (max-width: 335px) 100vw, 335px\" \/><figcaption><em><strong>El retorno de Judith a Betulia<\/strong>, 1469-1470, <strong>Sandro Botticelli y Filippino Lippi<\/strong>, Cincinnati Art Museum.<\/em><\/figcaption><\/figure><\/div>\n\n\n\n<p>Siguiendo un orden cronol\u00f3gico y tem\u00e1tico, la exposici\u00f3n ilustrar\u00e1 la evoluci\u00f3n estil\u00edstica personal de Botticelli, desde sus inicios en el taller de <a href=\"https:\/\/www.aparences.net\/es\/periodos\/el-quattrocento\/fra-filippo-lippi\/\">Filippo Lippi<\/a> hasta su consagraci\u00f3n; los v\u00ednculos entre su obra y la cultura de su tiempo, as\u00ed como la influencia que \u00e9l mismo ejerci\u00f3 sobre los <a href=\"https:\/\/www.aparences.net\/es\/periodos\/el-quattrocento\/\">artistas florentinos del Quattrocento<\/a>.&nbsp;La exposici\u00f3n del <a href=\"https:\/\/www.musee-jacquemart-andre.com\/fr\/botticelli\">Museo Jacquemart-Andr\u00e9<\/a> contar\u00e1 con pr\u00e9stamos de prestigiosas instituciones como el Louvre, la National Gallery de Londres, el Rijksmuseum de \u00c1msterdam, los Museos y Bibliotecas Vaticanos, los Uffizi, la Galleria Sabauda de Tur\u00edn, la Galleria dell&#8217;Accademia y el Museo Nazionale del Bargello de Florencia, la Gem\u00e4ldegalerie de Berl\u00edn, la Alte Pinakothek de M\u00fanich y el St\u00e4del Museum de Fr\u00e1ncfort.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El Museo Jacquemart-Andr\u00e9 celebra el genio creativo de Sandro Botticelli (1445 &#8211; 1510) y la actividad de su taller, exponiendo unas cuarenta obras de este [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":23854,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2368,2605],"tags":[],"class_list":["post-23852","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-exposiciones"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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