{"id":32329,"date":"2024-05-12T11:45:34","date_gmt":"2024-05-12T09:45:34","guid":{"rendered":"https:\/\/www.aparences.net\/?p=32329"},"modified":"2024-05-12T11:45:35","modified_gmt":"2024-05-12T09:45:35","slug":"paris-1874-inventar-el-impresionismo","status":"publish","type":"post","link":"https:\/\/www.aparences.net\/es\/actualidad\/paris-1874-inventar-el-impresionismo\/","title":{"rendered":"Par\u00eds 1874. Inventar el impresionismo"},"content":{"rendered":"\n

La exposici\u00f3n del Museo de Orsay Par\u00eds 1874. Inventar el impresionismo<\/em> hace balance de las circunstancias que llevaron a 31 artistas -s\u00f3lo siete de los cuales son hoy universalmente conocidos- a reunirse para exponer sus obras. El clima de la \u00e9poca era de posguerra, tras dos conflictos: la guerra franco-prusiana de 1870 y luego una violenta guerra civil. En este contexto de crisis, los artistas se replantean su arte y exploran nuevos caminos. Un peque\u00f1o \u00abgrupo de rebeldes\u00bb pintaba escenas de la vida moderna o paisajes<\/a> en tonos claros y pinceladas vivas, esbozados al aire libre. Como se\u00f1al\u00f3 un observador, \u00ablo que parecen buscar por encima de todo es la impresi\u00f3n\u00bb<\/strong>.<\/p>\n\n\n

\n
\"\"
La Gare Saint-Lazare<\/strong>, 1877, Claude Monet<\/strong>, Paris, Museo de Orsay.<\/em><\/figcaption><\/figure>\n<\/div>\n\n
\n
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Julie Manet <\/strong>et sa levrette La\u00ebrte, 1893, Berthe Morisot<\/strong>,
Paris, Museo Marmottan Monet.<\/em><\/figcaption><\/figure>\n<\/div>\n\n
\n
\"\"
Baigneurs \u00e0 la Grenouill\u00e8re<\/strong>, 1869, Claude Monet<\/strong>, Paris, mus\u00e9e d\u2019Orsay.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

La muestra Par\u00eds 1874. Inventar el impresionismo<\/em>, es una selecci\u00f3n de obras expuestas en la exposici\u00f3n impresionista que tuvo lugar en 1874<\/strong> junto con otras pinturas y esculturas que se expusieron en el Sal\u00f3n oficial. Esta comparaci\u00f3n in\u00e9dita restituye el impacto visual del grupo de artistas impresionistas<\/a>, pero tambi\u00e9n lo matiza, a trav\u00e9s de paralelismos inesperados, entre la primera exposici\u00f3n impresionista y el Sal\u00f3n. <\/p>\n\n\n

\n
\"\"
El Sal\u00f3n de 1874<\/strong>, 1874, Camille Cabaillot-Lassalle<\/strong>,
Colecci\u00f3n privada.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

La exposici\u00f3n del Museo de Orsay muestra las contradicciones pero al mismo tiempo la infinita riqueza de la creaci\u00f3n contempor\u00e1nea en la primavera de 1874, a la vez que subraya la modernidad radical del arte de estos j\u00f3venes artistas. Buena suerte!, les animaba un cr\u00edtico, \u00abde las innovaciones siempre sale algo nuevo\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

La exposici\u00f3n del Museo de Orsay Par\u00eds 1874. Inventar el impresionismo hace balance de las circunstancias que llevaron a 31 artistas -s\u00f3lo siete de los […]<\/p>\n","protected":false},"author":2,"featured_media":32328,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2368,2605],"tags":[],"class_list":["post-32329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-exposiciones"],"yoast_head":"\nPar\u00eds 1874. Inventar el impresionismo<\/title>\n<meta name=\"description\" content=\"La exposici\u00f3n del Museo de Orsay Par\u00eds 1874. 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